The central, perhaps deliberate,
irony in James Whale's masterpiece The Bride of Frankenstein is that Frankenstein's creation is called the
Monster. The Monster,
unforgettably played again by the great Boris Karloff, is one of the least
monstrous characters in the film.
He is surrounded by people more sinister, or at least more misguided,
than he, yet everyone in the film fears and loathes him, even his prospective
bride. In addition to offering
chills, humor, and satire, The Bride of Frankenstein also provides a searing indictment of man's
inhumanity to man. This is just
one the factors that help it become, in this author's opinion, the best horror
film of the 1930s.(read more...)