Our editor-in-chief Nate Yapp is proud to have contributed to the new book Hidden Horror: A Celebration of 101 Underrated and Overlooked Fright Flicks, edited by Aaron Christensen. Another contributors include Anthony Timpone, B.J. Colangelo, Dave Alexander, Classic-Horror.com's own Robert C. Ring and John W. Bowen. Pick up a copy today from Amazon.com!

Julia Merriam

Julia Merriam's picture
Consulting Deaditor
A more accurate and updated biography coming shortly.
Posts by Julia Merriam

Review: Monster House (2006)

Monster House poster

Everyone has something they were terrified of as a child. Sometimes it was the shadows lurking in the closet, sometimes it was the malevolent clown doll perched on the highest shelf, and sometimes it was that creepy house across the street. But what happens when those imagined dangers, often considered the folly of childhood, become a very dangerous reality? The answer, of course, is Monster House, the directorial debut of Gil Kenan (City of Amber). An innocent and yet surprisingly mature film, Monster House explores both the mystery of the neighborhood's haunted house and the complexity of adolescence with minimal belittlement. Offering a fresh take on an old idea, Monster House approaches its youthful themes with maturity, dignity and a healthy dose of good ol' supernatural fright, making it nothing less than a top-notch children's horror film.(read more...)

Review: Texas Chainsaw Massacre: The Next Generation (1994)

Texas Chainsaw Massacre: The Next Generation poster

Texas Chainsaw Massacre Month. In 1974, Tobe Hooper created what would prove to be one of the most memorable and enduring horror films of the late 20th century: The Texas Chain Saw Massacre. Like so many memorable and enduring horror films, The Texas Chain Saw Massacre spawned a franchise of sequels, most of them worse than the one preceding it. The worst of the bunch, however, has got to be Texas Chainsaw Massacre: The Next Generation. A sad, anemic parody of the original film, TCM:TNG is an awe-inspiring confluence of bad dialog, absurd storytelling and epileptic pacing that is almost painful to watch. But, like any good train wreck, it's hard to look away.

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Review: The House on Haunted Hill (1959)

House on Haunted Hill 1959 poster

The first time I watched The House on Haunted Hill I was impressed. It was creepy and captivating, Vincent Price was brilliant and the atmosphere and story-line were completely immersive.  I was in love. However, when I re-watched the film for this review, I made a startling discovery: my memory is a dirty, filthy liar. On second pass, Haunted Hill was far less opulent, the casting less appropriate, and the overall experience somewhat dull and stunted. While it's certainly not a bad film, this review, sadly, is tinged with bitter disappointment.
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Review: Dark Waters (1993)

Dark Waters DVD

That was weird. Those were the first words that spilled out of my mouth as the end credits rolled on Dark Waters, a British/Italian/Russian co-production filmed in post-Soviet Ukraine. Directed and co-written by Mariano Baino, Dark Waters is a singular experience. Steeped in Lovecraftian influence, the film can be dizzying, even maddening, to watch. However, with the captivating direction and surprisingly engaging story, Dark Waters may actually be worth your time. It is not, however, a film for the feeble-minded.(read more...)

Review: Whispering Corridors (1998)

Whispering Corridors poster

If I had to pick a word to describe Whispering Corridors, I think I’d have to go with quixotic. In many ways, Corridors is typical of 1990s Asian horror: one dead girl, creepy chilling atmosphere, and a fairly predictable plot. Unlike American films, which are almost always plot driven, Whispering Corridors is driven by mood, so much that, at times, the story only seems to exist to get the film from one tension filmed scene to the next. Unfortunately, the screenwriting isn’t necessarily up to the task.(read more...)

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