At the time of its release in 1957, Fernando Méndez’s El Vampiro was the first film about vampires that dared to show the creatures’ now-famous fanged incisors. This seemingly minor inclusion helped craft the modern vampire. Yet, time has certainly not done El Vampiro any favors, and while this film is a landmark in horror history, genre aficionados will remember the use of light and shadow in F.W. Murnau’s Nosferatu or the swagger and charm of Bela Lugosi’s Dracula before remembering the teeth shown here. There is an excellent plot unraveled in El Vampiro, complimented by an equally excellent score; however, it is is filled with (mostly) uninteresting characters, misguided pacing, and constricting camera movements. El Vampiro is not a bad film - it’s just not a particularly interesting one.
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