Our editor-in-chief Nate Yapp is proud to have contributed to the new book Hidden Horror: A Celebration of 101 Underrated and Overlooked Fright Flicks, edited by Aaron Christensen. Another contributors include Anthony Timpone, B.J. Colangelo, Dave Alexander, Classic-Horror.com's own Robert C. Ring and John W. Bowen. Pick up a copy today from Amazon.com!

Posts by Nate Yapp

Review: Tromeo and Juliet (1996)

Tromeo and Juliet poster

Y'know, I only discovered Troma a short while ago, with The Toxic Avenger, and now I think I have a serious addiction. It would be easy to kick it if they didn't keep getting better at what they do. With Tromeo and Juliet, they combine their patented outrageousness with the Bard and a little arthouse style. Actually, it's a bit of a stretch to call this film "horror," but it's a stretch I'm willing to make.(read more...)

Review: The Toxic Avenger, Part II (1989)

Toxic Avenger Part II poster

In my original Toxic Avenger review, I said that if any other Troma films were as tastelessly great as the Real McCoy, you would see a lot more reviews for films from that studio soon. Well, here we are, and unfortunately, I can't say that The Toxic Avenger, Part II quite lives up to the heights of depravity set be its predecessor. It's cheesy, it's fun, and though later viewings may change this, it does not yet qualify for the honored standing of cheesygoodfun (yes, it's all one word).(read more...)

Review: Repulsion (1965)


Roman Polanski is a frickin' genius. First, he made me paranoid with Rosemary's Baby, then he made me laugh in The Fearless Vampire Killers. He intrigued me with the secrets of The Ninth Gate. Now, he's freaked me out, plain and simple... I'm nearly afraid to be a male.(read more...)

Review: The Toxic Avenger (1985)

Toxic Avenger poster

I happened to watch this Troma release under exactly the conditions required for maximum enjoyment. I was hopped up on caffeine and video games, unwilling to think too hard, and it was 2AM, a time when even politics make sense to a sleep-deprived brain.

Melvin, a mopboy at Tromaville's local health club, was "98 lbs. of pure nerd" until a cruel prank sent him crashing out of a window and into a vat of toxic waste. Now he's the Toxic Avenger, a hulking 7-ft. tall mutant who becomes violently enraged when evil is near, even if he doesn't know why a person is evil. When not fighting crime by tearing off a robber's arm or busting a corrupt crimelord's gut, the Avenger finds time to spend with his blind girlfriend and help little old ladies across the street.(read more...)

Review: The Curse of the Werewolf (1961)

Curse of the Werewolf poster

As usual, Terence Fisher and Hammer Studios take a concept already done exquisitely by Universal in the 30s and 40s and make it their own. This film stands out among a long hallmark of werewolf movies, going for the straight dramatic content of lycanthropy rather than the sensationalism.(read more...)

Review: Werewolf of London (1935)

Werewolf of London poster

Though not the grand spectacle of horror that the later Wolf Man would be, The Werewolf of London still stands out as a fine effort from Universal. Then again, what 1930s Universal chiller doesn't qualify as a classic?(read more...)

Review: Fright Night (1985)

Fright Night poster

I'm usually not entirely enthralled by 80s teen moves and I like 80s teen horror even less. However, this enjoyable vampire romp proves to be the exception. Sure, it's not without its flaws, but it's hard to get into this movie and not have a little fun.(read more...)

Review: The Man and the Monster (1959)

The Man and the Monster poster

This 1950s Mexican import is different from many of its contemporaries because it doesn't play to the lowest common denominator. It isn't sleazy, exploitative, or silly. It's actually quite an intelligent rethinking of the Jekyll and Hyde mythos, though admittedly with a little cheese thrown in.(read more...)

Review: Cat People (1982)

Cat People 1982 poster

It's interesting to note that this film was made just one year after An American Werewolf in London, just as the original followed The Wolf Man by just a year. Both Cat films, I suspect, were made to cash in on their earlier lycanthropic counterparts. The difference here is that the 1942 version managed to at least equal Wolf Man in quality, while London remains to be topped.(read more...)

Review: The Curse of Frankenstein (1957)

Curse of Frankenstein 1957

This is the one that began Hammer's revival of Gothic horror. Up until the time this was made, horror in the 50s consisted of giant monsters or atomic fiends. This took horror back to its roots, and threw in color and a heightened sexual awareness at no extra charge. Director Terence Fisher and writer Jimmy Sangster should be commended for the excellent work they do here.(read more...)