Our editor-in-chief Nate Yapp is proud to have contributed to the new book Hidden Horror: A Celebration of 101 Underrated and Overlooked Fright Flicks, edited by Aaron Christensen. Another contributors include Anthony Timpone, B.J. Colangelo, Dave Alexander, Classic-Horror.com's own Robert C. Ring and John W. Bowen. Pick up a copy today from Amazon.com!

Posts by Bruce Jordan

Shiverin' 6: Creepy Kids, Part Two

Village of the Damned quad

Continuing on from where we left off with our last installment of Classic-Horror.com's Shiverin' 6, we will now turn our attention to children who do their devilish deeds as a group. As each of these frightening features will attest, there's only one thing scarier than a creepy kid and that's a whole pack of menacing minors.(read more...)

Review: The House That Dripped Blood (1971)

The House That Dripped Blood poster

From 1965 to 1973, Max J. Rosenberg and Milton Subotsky's Amicus studios unleashed a string of high quality anthology films that were inspired by the macabre morality tales found in the pages of E.C. Comics. It's a format in which the company would excel, as many of these features are now considered classics. One of the studios finest portmanteau efforts is director Peter Duffel's The House That Dripped Blood. The film is extraordinary from start to finish thanks to its exceptional writing, a star-studded cast, and a crew that enlivens what is, for the most part, a stage-bound production.

The story begins as a police inspector is called in to investigate the disappearance of Paul Henderson, an actor who had moved into a house with a history of strange occurrences. From there the film fractures into four tales which are related to the inspector by the homes real estate agent. They go as follows:(read more...)

Review: Shock Waves (1977)

Shock Waves poster

The mere prospect of a Nazi zombie evokes dread filled imagery and an almost overwhelming sense of terror. With that being said, it's rather amazing that although this mini sub-genre has been around in one form or another since the 1940's, there are very few films within this particular niche that have the ability to frighten an audience. In fact, many consider most of these films (i.e. Zombie Lake, Oasis of the Zombies) to be of such poor quality that they are difficult to sit through, let alone admire. One exception to this generalization is director Ken Wiederhorn's Shock Waves, a film which manages to impress on various levels despite being straddled with a meager budget.

The premise of Shock Waves is quite basic -- a group of tourists find themselves shipwrecked on a remote island with a former SS officer (Peter Cushing) who hides a terrifying secret.(read more...)

Shiverin' 6: Creepy Kids, Part One

It's Alive 1974 quad

Welcome to another terror-filled edition of Classic-Horror.com's Shiverin' 6. In this installment we will delve into one of the horror genre's most frightening sub-genres: the killer kid flick. Since this is a rather large category of films we've decided to dedicate two separate features to these pictures. Part One will focus on children who act as individual threats and part two will take a look at children acting out as a group. Possession films will be saved for future columns. (read more...)

Review: Don't Be Afraid of the Dark (1973)

Don't Be Afraid of the Dark poster

During the early 1970s, the three major television networks (ABC, CBS, and NBC) provided their viewing audiences with an abundance of well-made, low-budget fright flicks as a response to the then burgeoning drive-in market. One of the most well-remembered shows to air during this time was the ABC Movie of the Week. The series ran for a respectable six years (1969-1975), producing several key genre entries. John Newland's Don't Be Afraid of The Dark stood at the forefront of this small screen movement. Newland's film left an indelible mark on the terrified viewing audience that caught it on October 10, 1973. Now, almost forty years later, it still stands up as the kind of film that will make you want to sleep with your light on. (read more...)

Review: The Living Dead at Manchester Morgue (1974)

The Living Dead at Manchester Morgue poster

Although the influence of George Romero's Night of the Living Dead is undeniable, the film didn't produce anywhere near the number of followers as its sequel, Dawn of the Dead. One of the few films that followed in Night of the Living Dead's zombified footsteps is Spanish filmmaker Jorge Grau's The Living Dead at Manchester Morgue. Inspired by Romero's unrelenting piece of work, Grau headed to the U.K. in order to make a film that his producers hoped would be little more than a colorized version of Night of the Living Dead. What the producers got instead was a film that stands on its own merits and now ranks among the subgenre's finest due to an intelligent screenplay, sharp cinematography, and shocking gore effects. (read more...)

Shiverin' 6: Meet the Sawyers

Shiverin' 6 logo

Texas Chainsaw Massacre Month. Greetings and welcome to another installment of Classic-Horror.com's Shiverin' 6. In sticking with our month-long celebration of The Texas Chainsaw Massacre series, we've decided to take a look at six members of the cannibalistic Sawyer clan. Demented, depraved and downright bizarre these characters inspired over the top performances from the actors cast to play them, and also provided the audience with many chill inducing moments thanks to their psychotic behavior. Now, in order of their appearance in the series, let's meet the family.

(read more...)

Review: Mill of the Stone Women (1960)

Mill of the Stone Women poster

Following the release of Riccardo Freda's I Vampiri in 1956, the Golden Age of Italian horror cinema exploded onto the international scene. Over the course of the next twelve years, several films, which are now considered classics, were released within the genre. From monochrome masterpieces such as Black Sunday, Castle of Blood, and Nightmare Castle to kaleidoscopes of stunning color like The Whip and the Body and The Horrible Dr. Hichcock, the stream of creativity seemed endless. With the wealth of quality features that hit the screens during this time, some exceptional films are bound to be somewhat overlooked by fans of this glorious era.(read more...)

Review: Blood on Satan's Claw (1971)

Blood on Satan's Claw poster

In 1968, the British production company Tigon had found a measurable degree of success with the release of Michael Reeves' classic tale of greed and corruption, Witchfinder General. In a concerted effort to provide audiences with a film along the same lines a screenplay by Robert Wynne-Simmons was commissioned, Piers Haggard was brought on board to direct, and The Blood on Satan's Claw took root. In most cases, when a film is made by a studio hoping to cash in on a previous effort, the resulting film comes across as mere imitation. In this instance, however, a perfect combination of accurate period details, overwhelming atmosphere, and convincing central performances help provide the basis for one of the finest British horror films of the 1970s.(read more...)

Review: Long Weekend (1978)

Long Weekend 1978 poster

Within the nature run amok sub-genre there is a specific type of film in which animals not only go on the rampage, they do so en masse. The Food of the Gods, Day of the Animals, and Frogs are all textbook examples of this variation in form. As with any category of films there are common plot elements which help define these features. In general these include a group of people who, for various reasons, leave their normal environment for a remote isolated location, and some kind of motivating factor that causes the animal's aggressions. These factors can include pollution, corporate greed, and even military testing. Although director Colin Eggleston's Long Weekend follows this basic structure the film differentiates itself by making minor adjustments to the formula, and displaying a higher than usual level of talent not only in front of the camera, but behind it as well.(read more...)