Chris Justice

Chris Justice's picture
Staff Writer

Born and raised in New Jersey (Exit 9), I live, after an enchanting two-year detour in New Mexico, with my wife and two children in a farmhouse built in 1939 in Owings Mills, Maryland. During the day, I'm the Director of Expository Writing at the University of Baltimore; at night, on weekends, and during other flashes of inspiration (a.k.a. "spare time"), I'm a freelance writer.

Hoping to never fit in anywhere, when I'm not teaching, watching horror films, or writing, I can usually be found fishing, hiking, reading, studying something related to writing, plucking my bass, rooting for the 49ers or Devils, or chillin' with my wife and kids.

I also enjoy spreading government conspiracies and talking to myself in mall parking lots. A humanist and liberal arts nerd at heart, there is little I find boring. Not too many nights pass without at least one dream-episode involving some type of monster registering in my unconscious. Last night it was rabid chipmunks; the night before, the ghost of my Little League coach, who turned zombie, then became lunch for a giant squid.

I hold a master's degree in Modern Studies from Loyola College and a bachelor's in English from Rutgers University. While living in Albuquerque, I earned teacher certification in Secondary English Education at the University of New Mexico and recently completed a Certificate in Online Journalism from the University of Massachusetts Amherst. I formerly served as an Assistant Professor of English and Mass Communication at The Community College of Baltimore County.

Once a staff writer for Greater Media Newspapers in New Jersey, my words have since appeared in The Baltimore Sun, Senses of Cinema, PopMatters, Bay Weekly, and Blue Ridge Country. My monthly column, The Tackle Box, is featured in PopMatters and focuses on how the sport of fishing is portrayed in popular culture. I also recently completed book chapters about Edgar G. Ulmer and Michael Haneke and am working on two others: one about the Back to the Future trilogy and its relationship to Ronald Reagan's political rhetoric, and another about Joseph H. Lewis' seminal lovers on the run film, Gun Crazy. I'm also working on a novel based on my youth growing up along Lawrence Brook in Milltown, New Jersey and am represented by Inkwell Management.

Posts by Chris Justice

Review: The Incredible Shrinking Man (1957)

Incredible Shrinking Man poster

Okay, let's face it: size does matter.

Based on Richard Matheson's novel The Shrinking Man and directed by cult sci-fi and horror guru Jack Arnold of It Came from Outer Space, Creature from the Black Lagoon, and Tarantula fame, The Incredible Shrinking Man is considered one of science fiction's best films. Its strengths, however, lurk more in the horrific implications it presents than its science fiction.(read more...)

Review: Bug (2006)

Bug 2006 poster

I had no intention of reviewing Bug when I pressed “Play”; however, 90 minutes later, I had no choice BUT to review it.

Directed by William Friedkin, Bug offers Agnes and Peter, blue-collar drifters who one evening randomly meet through a mutual friend, Agnes’s lesbian lover, and rush into a romantic relationship inspired by loneliness, physical attraction, psychological scars, and the shared intensity of their paranoid delusions.(read more...)

Review: The Golem (1920)

The Golem 1920 poster

Emanating from Jewish folklore, the legend of the “golem” has transfixed audiences for centuries. Although when used pejoratively the word “golem” describes a moronic person easily manipulated, the word often refers to any mythical creature animated from inanimate materials such as clay, sand, or stone.(read more...)

Review: Dementia 13 (1963)

Dementia 13 poster

Most people don’t associate Francis Ford Coppola with horror, but they should. He produced Jeepers Creepers I and II, Tim Burton’s Sleepy Hollow, a 1999 TV production of Dr. Jekyll and Mr. Hyde, Kenneth Branagh’s Frankenstein, and the Roger Corman classic The Terror. Of course, his direction of Bram Stoker’s Dracula also leaps out. However, the genesis of Coppola’s legendary career as an American directorial icon started with the low-budget slasher thriller Dementia 13.(read more...)

Review: The Brain That Wouldn't Die (1962)

Brain That Wouldn't Die poster

The Brain That Wouldn’t Die is a cult horror classic that, itself, refuses to die. Resuscitated by Elvira’s Box of Horror Classics series and "Mystery Science Theater 3000," The Brain’s no-name cast and low-budget schlock are not as corny as expected. Although splattered with goofy flaws and over-the-top performances and producing plenty of chuckles, the film probes primitive fears that should unnerve the most stoic spectator.(read more...)

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