Our editor-in-chief Nate Yapp is proud to have contributed to the new book Hidden Horror: A Celebration of 101 Underrated and Overlooked Fright Flicks, edited by Aaron Christensen. Another contributors include Anthony Timpone, B.J. Colangelo, Dave Alexander, Classic-Horror.com's own Robert C. Ring and John W. Bowen. Pick up a copy today from Amazon.com!

Haunted Newsreel

Have a scoop? Send it to us! Be sure to include your name and where you found the news in your email.

Robert Hall's "Chopping Mall" Remake

Chopping Mall.jpg

To me, the horror film genre is so close to being past beyond saving, with only certain films giving me a slight glimmer of hope for the future (Trick 'r Treat). This is mainly because the genre is completely flooded with several mainstream remakes of classic horror films, first being started off with Gus Van Sant's shot by shot remake of Psycho in 1998. Now, don't get me wrong, there have been several good remakes that pay homage to the original while also taking a concept into an entirely different direction (The Thing, The Fly, The Blob, etc). But being in a generation where horror remakes are the norm, it's frankly just getting tiring to see remakes of classics (Halloween, Friday the 13th, etc) and obscure cult favorites (Black Christmas, Maniac, etc) being made and released year after year.(read more...)

Book Review: Shock Value by Jason Zinoman

Shock Value by Jason Zinoman

Since its publication last July, Jason Zinoman's Shock Value has received more mainstream press - and largely favorable mainstream press - than most critical analyses of horror cinema in recent years. The attention is understandable, as this is a well-written account of a pivotal period in the genre (the late '60s to early '80s) that's also accessible to a general readership. It's not aimed purely at cinephiles and academics or the fanatical horror fandom. It also doesn't hurt that, in this age of information overload, the book is a quick read or that Zinoman writes regularly for The New York Times (mainly covering theater). Even in a time of a historically fractured mass media, the "Gray Lady" still has clout.(read more...)

Elijah Wood Stars in "Maniac" Remake

Elijah Wood Stars in Maniac Remake

I believe anyone who has read my review of Maniac knows my feelings towards the film. It was and still is a serious, chilling and psychological slasher film, right in the same vein of The Texas Chain Saw Massacre. But it looks like no horror or exploitation film from the 70's and 80's are safe anymore from the remake virus.

On November 4th, 2011, it was announced that Elijah Wood of Lord of the Rings and Sin City fame is set to play Joe Spinell's most infamous role as Frank Zito, a man who is constantly haunted by visions of his own abusive mother, and takes it upon himself to murder and scalp women as a way of gaining revenge.(read more...)

The Terrorphile: The Gremlin Show (fanvid)

Gremlins poster

I really have no excuse for this one. Sometimes I have stupid ideas and they won't leave me alone until I execute them. Please forgive me.

(read more...)

Shiverin' 6: Creepy Kids, Part Two

Village of the Damned quad

Continuing on from where we left off with our last installment of Classic-Horror.com's Shiverin' 6, we will now turn our attention to children who do their devilish deeds as a group. As each of these frightening features will attest, there's only one thing scarier than a creepy kid and that's a whole pack of menacing minors.(read more...)

Jimmy Sangster (1927 - 2011)

Curse of Frankenstein quad

Jimmy Sangster, whose scripts for The Curse of Frankenstein and Horror of Dracula helped seal the reputation of Hammer Studios as the home of British horror in the 1950s and 60s has passed away at the age of 83.

Born in Wales in 1927, Sangster started his movie career aged 16 as a clapper boy, working his way through various jobs, before ending up as assistant director on Hammer adaptations of BBC Radio serials.

Eventually landing the job of scripting the studio's adaption of Mary Shelley's Frankenstein, he made one significant change to the source material, moving the emphasis in the story from the monster to the creator, consequently giving Peter Cushing his breakthrough starring role, and Hammer a hit movie, both in the UK and the US.(read more...)

Shiverin' 6: Creepy Kids, Part One

It's Alive 1974 quad

Welcome to another terror-filled edition of Classic-Horror.com's Shiverin' 6. In this installment we will delve into one of the horror genre's most frightening sub-genres: the killer kid flick. Since this is a rather large category of films we've decided to dedicate two separate features to these pictures. Part One will focus on children who act as individual threats and part two will take a look at children acting out as a group. Possession films will be saved for future columns. (read more...)

The Haunted Mansion: Keeping the Faith

Hitchhiking Ghosts

The following is for the League of Tana Tea Drinkers' roundtable discussion of "What Do Cute Versions of Monsters Tell Us About Horror?" I realize that I didn't address the question directly, but I think my piece fits into the larger discussion.

I've never been a spiritual person. The most pressing conflict of faith I had growing up was whether I would become an agnostic like my father or an atheist like my mother (I still bounce back and forth to this day). I suppose we all need something to believe in, however, especially as children. I believed in horror. It was, in many ways, my faith - adored without question, every movie I could get my hands on committed to memory and recited ad nauseam. Frankenstein, Dracula, the Wolf Man, and an exquisitely tortured Vincent Price were all major deities. It was a simple pleasure in a complex time - my parents were getting divorced and I was being moved (as opposed to moving, which suggests I had some choice in the matter) to another state. In hindsight, horror was something I very much needed to survive - the heightened acting, the fantastic settings both foreboding and unreal, the monsters who brought thrills and chills to supplant the uncertainty that was actually much, much scarier. (read more...)

The Disused Fane: Go Into the Light

Horror Rises from the Tomb seance

One of the best parts (there are many) from the Spanish flick Horror Rises from the Tomb (1973) is an early scene in which the protagonists, all of whom are bored rich people, attend a séance. They want to get in touch with their ancestors; it's not like they have anything better to do with their time. They succeed. Unfortunately for them, the film already opened with a prologue set in the Middle Ages in which a certain nobleman and his mistress are executed for practicing witchcraft. Naturally, it is these two individuals who manifest themselves at the séance, and naturally, this inspires the one guy to take everyone up to the old ancestral castle to start digging for things in the crypts. It doesn't turn out well.(read more...)

The Disused Fane: I Am Become Death

Dawn of the Dead: Roger the zombie

It has become almost mandatory in any movie involving zombies or zombie-like creatures... the scene in which one of the protagonists confronts a friend or family member who isn't quite the same anymore. Can he perform his duty to civilization by pulling the trigger, or will he end up like them? Is it right to kill a loved one who has become one of the undead (or an alien pod-person, or a plague-infected mutant, or whatever)? (read more...)

Syndicate content