Our editor-in-chief Nate Yapp is proud to have contributed to the new book Hidden Horror: A Celebration of 101 Underrated and Overlooked Fright Flicks, edited by Aaron Christensen. Another contributors include Anthony Timpone, B.J. Colangelo, Dave Alexander, Classic-Horror.com's own Robert C. Ring and John W. Bowen. Pick up a copy today from Amazon.com!
Jimmy Sangster (1927 - 2011)
0 (Add comment)
Jimmy Sangster, whose scripts for The Curse of Frankenstein and Horror of Dracula helped seal the reputation of Hammer Studios as the home of British horror in the 1950s and 60s has passed away at the age of 83.
Born in Wales in 1927, Sangster started his movie career aged 16 as a clapper boy, working his way through various jobs, before ending up as assistant director on Hammer adaptations of BBC Radio serials.
Eventually landing the job of scripting the studio's adaption of Mary Shelley's Frankenstein, he made one significant change to the source material, moving the emphasis in the story from the monster to the creator, consequently giving Peter Cushing his breakthrough starring role, and Hammer a hit movie, both in the UK and the US.
This was quickly followed by another box office smash, Horror of Dracula, with Sangster once again not afraid to tinker with the source material, transforming Dr. Van Helsing from an elderly man to a younger, more energetic character.
Sangster went on to write a host of other scripts for Hammer, such as The Mummy, The Man Who Could Cheat Death, Taste of Fear and several Dracula and Frankenstein sequels, as well as occasional forays into directing with The Horror of Frankenstein, Lust for a Vampire and Fear in the Night, the latter being a move away from Gothic themes to a more psychological approach to horror.
The 1970s saw him writing for US TV on shows such as Kolchak: The Night Stalker, The Six Million Dollar Man and Wonder Woman. By the 1980s and 90s Sangster was winding down the writing work, but he remained a regular on the convention circuit and I was lucky enough to see him being interviewed at a film festival in Manchester. He was an excellent raconteur, with a dry, self deprecating sense of humour, but my overwhelming memory is of his delight that so many people still derived so much pleasure from his work.