Our editor-in-chief Nate Yapp is proud to have contributed to the new book Hidden Horror: A Celebration of 101 Underrated and Overlooked Fright Flicks, edited by Aaron Christensen. Another contributors include Anthony Timpone, B.J. Colangelo, Dave Alexander, Classic-Horror.com's own Robert C. Ring and John W. Bowen. Pick up a copy today from Amazon.com!

Colin Clive

The Masters: Colin Clive

Refined, deliberate, with a talent for melodrama, Colin Clive made a brief but memorable mark on the horror genre, creating the sound era's very first Dr. Frankenstein, but personal problems took him from the spotlight before his time. Clive was born in France on January 20, 1900. His father was a British colonel. As an adult, he took to the stage, eventually replacing Laurence Olivier when James Whale's production of "Journey's End" moved to the Savoy Theater in London. When Whale uprooted to Hollywood to make the film version, Clive followed.

Review: Last House on the Left (1972)

Last House on the Left poster

There are many words to describe Wes Craven’s first horror effort: repulsive, jarring, unnerving, even sadistic. All words relative to the film’s content, to be sure, but that’s one of the striking things about Last House on the Left: from a critical standpoint, it is neither here nor there, good nor bad; it simply is what it is -- a macabre exploitation film intended to shock.(read more...)

Review: Wolf Creek (2005)

Wolf Creek poster

I have to admit this: I don't get out much, and when I do, I rarely visit local theaters.

Having confessed that, I viewed Wolf Creek in a Ft. Lauderdale theater during a recent excursion to Florida. My viewing was a treat, especially since I experienced firsthand how horror films genuinely scare others: I can still hear the visceral screams from three different women in the audience. Having viewed so many horror flicks, I sometimes, regrettably, forget this aspect of the genre. I also was impressed at how prolific and popular the genre has become: most of the films on the venue had a horror slant to them, and during the previews to Wolf Creek, no other genre was spotlighted.(read more...)

Review: The Hills Have Eyes (2006)

Hills Have Eyes 2006 poster

Okay, I'll say it ... I haven't seen the original The Hills Have Eyes. Deride my horror hound credentials as you wish.

While this omission may be a terrible sin in the eyes of many, it gave me a chance to view Alexandre Aja's remake without being tainted by my opinions of the original. What I can say is that, on it's own merits, the new Hills Have Eyes is an intense, visceral experience that is hampered by terrible pacing and characters that, while sympathetic, are rather flat and forgettable.(read more...)

Review: Child's Play 3 (1991)

Child's Play 3 poster

It happens to every successful horror franchise: the one film that creators and fans alike wish never found its way to celluloid; a black cinematic hole so deep, even other lackluster entries in a given series can’t approach its awfulness. Friday the 13th fans have A New Beginning, Nightmare on Elm Street aficionados have Freddy’s Revenge, Halloween diehards have Season of the Witch, and those of us who enjoy the perverse pleasures of obscene plaything Chucky have Child’s Play 3.(read more...)

Review: Slither (2006)

Slither poster

Screenwriter James Gunn (Tromeo and Juliet, Dawn of the Dead '04) makes his feature-length directorial debut with Slither, and within the first few minutes, he assuredly shows us he knows how to set the tone for a film. A gigantic meteor hurtles through space, heading for certain disastrous impact with Earth. As it hits our atmosphere, however, it begins to burn up, the layers peeling back. When it finally squelches into the muddy woodlands of sleepy Southern burg Wheelsy, it is as a background joke in a completely different scene. Of course, this being a horror film, the tiny, baseball-sized rock cracks open, promising far more insidious spectacle.(read more...)

Review: Bride of Chucky (1998)

Bride of Chucky poster

This may be as hard to believe as a doll come to life, but Bride of Chucky is one of the best horror films of the 1990s. Gory, trashy, funny, and truly entertaining, the film pays homage to the entire genre, is a send-up of its own predecessors, and plays out like a wild & witty remake of Bride of Frankenstein. And after the surprisingly dreary Child's Play 3 and a seven-year hiatus, it's good to see the ol' Chuckster cleans up real good.(read more...)

Review: Son of Dracula (1943)

Son of Dracula 1943 poster

"Miscast" is a nasty term. It suggests that the actor or actress that it is applied to would never be able to pull off their given role, even under the best possible circumstances. Some irreparable mistake was made at an early stage of production and the film will be forever marred by the poor judgment of some myopic decision-maker. Such is the case with Lon Chaney, Jr. as Count Dracula in Universal's misleadingly titled Son of Dracula. Chaney's inability to pull off the Old World nobility required of the part has dogged the film's reputation since its release. This is a shame, really, since the rest of this mature, atmospheric chiller works quite well.(read more...)

Review: Hellraiser: Deader (2005)

hellraiser7_0

The Hellraiser saga has been straight-to-video for years. Deader, the seventh entry, illustrates why. The film is stunningly awful. From its absurd premise, shudder-worthy dialogue, and amateurish acting to its disheartening abandonment of the original Hellraiser lore, Deader makes me wonder if future entries even deserve a medium as popular as DVD. Maybe there's hope for a Lifetime movie of the week?(read more...)

Review: Vampires (1998)

Vampires poster

Horror master John Carpenter’s 1998 monster mash Vampires is the director’s only commercially successful film of the last decade, and one of his best creature features. Owing a lot to Kathryn Bigelow’s 1987 horror-western masterpiece Near Dark, Vampires is filled with rousing action, stylish cinematography, and more blood than brains. As a twisted fable of the undead, it ranks among the most creative and dynamic of the genre.(read more...)