Our editor-in-chief Nate Yapp is proud to have contributed to the new book Hidden Horror: A Celebration of 101 Underrated and Overlooked Fright Flicks, edited by Aaron Christensen. Another contributors include Anthony Timpone, B.J. Colangelo, Dave Alexander, Classic-Horror.com's own Robert C. Ring and John W. Bowen. Pick up a copy today from Amazon.com!

Review: Cry_Wolf (2005)

Cry_Wolf poster

In Cry_Wolf, director Jeff Wadlow probes what happens when a lie is taken too far. Unfortunately, in doing so, he crosses the fiction with the film itself, negating the irony required in tackling such a subject. As a result, Cry_Wolf implodes well before it hits the disappointing denouement.

At an elite private high school, the popular kids engage in a game of lies for their own amusement. When fresh-faced Owen (Julian Morris) enters their midst, leader Dodger (Lindy Booth) decides to take the game up a notch. Using a recent murder as a jumping-off point, they spread a rumor that a serial killer is stalking the school. It's all good fun until their killer shows up on campus...(read more...)

Review: They (2002)

They poster

They boils down to one simple premise: the night terrors we suffered in childhood may linger into adulthood and haunt us again. In the simplicity of that concept lurks the secret to the film's success. Director Robert Harmon wastes no time in offering anything that detracts from that basic concept. Perhaps he doesn't offer enough, which leaves They skimming the surface of our intellect, but the film digs deeply into the visceral heart of our fears.(read more...)

John Carpenter

The Masters: John Carpenter

In 1978, one film lit up the horror genre and became the most successful independent production ever (until The Blair Witch Project, anyway). That movie was Halloween, directed by John Carpenter. Carpenter drew his inspirations from the Howard Hawks movies he grew up on, but his output was wholly his own, for better or worse.

Carpenter was raised in Bowling Green, Kentucky. His father was a musician who occasionally played back-up for such artists as Roy Orbison and Brenda Lee. Carpenter himself intended on pursuing music, but his love of cinema drew him elsewhere.

Review: Asylum of Satan (1972)

Asylum of Satan poster

Asylum of Satan poses a critical quandary. How much should directorial intent and fulfillment of that intent affect the rendered opinion? It's hard to argue that Asylum is not a bad film, but it maintains a curious sense of non sequitur horror that pokes through the dreck despite first-time director William Girdler's best efforts.

Lucina (Carla Borelli) wakes up in a strange bed in a strange place. A nurse informs her that she's a patient at Pleasant Hill Hospital, in the care of the sinister Dr. Specter (Charles Kissinger). Haunted by strange encounters and confusing visions, Lucina soon suspects that all is not as it seems in this place. If her lumpy fianceé (Nick Jolley) can't save her, she may become a fresh sacrifice for Satan himself!(read more...)

Review: The Phantom of the Opera (1962)

Phantom of the Opera 1962 poster

Hammer’s The Phantom of the Opera is one of the most revered of all the Hammer horror films. Eerie? Check. Atmosphere? Right on. Over-rated? Absolutely. While The Phantom of the Opera is a welcome addition to the shelf of horror classics, when I hear Hammer experts talk about this film as director Terence Fisher’s “best” or Hammer’s “best”, I have to wonder what the hell they are talking about.(read more...)

Review: Dead & Breakfast (2004)

Dead and Breakfast poster

How do you review a film that has "It's like a bad horror movie... only worse" as a tagline? In a calculated move, the makers have silenced critical input. If you don't like the movie, it's not like they didn't warn you...

Dead & Breakfast turns out to be an amusing enough piece of schlock. Inspired by such seminal splatstick works as The Evil Dead, Bad Taste, and Dead Alive, writer/director Matthew Leutwyler tosses together as many wacky-go-lucky gore jokes as he can muster for a weird romp through ghoul-town.(read more...)

Review: Constantine (2005)

Constantine poster

Thirty minutes into Constantine, I was noticeably impressed and excited to be at the mercy of an original film. After an hour, I was confused. Three-quarters of the way through, I was excited and disappointed. By the film's conclusion, I was duly torn. Wrapped in a bow that dazzles with special effects and over-the-top histrionics, Constantine is really a traditional tale depicting a classic good vs. evil struggle between those most ancient of adversaries: the Devil and his many protégés vs. his antithesis: Good. However, Good in this film is not so good.(read more...)

Review: The Two Faces of Dr. Jekyll (1960)

The Two Faces of Dr. Jekyll

Of all of the lists of “classic movie monsters,” Dr Jekyll/Mr. Hyde is the monster most forgotten. Maybe because the plot is entirely too similar to the far superior Wolf Man, or perhaps because there is only so many ways you can rehash such a simplistic tale. Of the many versions of the tale, the only two that stand out as truly unique are both from HammerDr. Jekyll and Sister Hyde, and The Two Faces of Dr. Jekyll. The Two Faces of Dr. Jekyll is the far superior version, and could well possibly be the most emotional version of the story ever made.(read more...)

Review: Young Frankenstein (1974)

Young Frankenstein poster

Some scenes in film history will live in our minds forever. They include the shower scene in Psycho, King Kong on top of the Empire State Building, and the laboratory creation of The Monster in Frankenstein. The visual intensity of those scenes is forever etched in our collective cinematic DNA.(read more...)

Review: Doctor Gore (1973)

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J.G. "Pat" Patterson, Jr., sometimes magician and friend of cult cinema legends H. G. Lewis and William Girdler, put together a little gore film in the early 1970s -- a take on the Frankenstein legend, but with prettier girls and bloodier parts. He assumed six different roles in the production -- director, producer, writer, actor, makeup, and special effects. Never before has one man given so much of himself to produce so little...(read more...)