Tags: fanvid

As the site draws to a close, I thought I would try to put into video form some kind of final farewell. I've worked on this on and off for the last three years (starting in 2009 when I thought I might shut down the site then). The video is kind of hodge-podge of clips from over 200 horror sources, set to The Who's The Song is Over. I think the song reflects some of my feelings about the site and the horror genre in general.

No notes this time. I think I've said everything I need to say in my farewell post.

I really have no excuse for this one. Sometimes I have stupid ideas and they won't leave me alone until I execute them. Please forgive me.

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Those crazy fellas over at Mad Mad Mad Mad Movies have been throwing the Paul Naschy Blogathon all week long, finishing, well... today. Actually, in about a half-hour by my clock. However, that's just enough time to get my entry in, which I've been working on all week. It's a tribute to Paul Naschy's most enduring creation, the werewolf Waldemar Daninsky. In nine films released between 1968 and 1983, Daninsky dealt with the tragedy of lycanthropy, often while searching for someone who would love him enough to kill him. The video follows the general line of his story, backed by Arcade Fire's "Black Mirror."

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Sometimes when I'm coming up with my fanvids, I think of the movie or television series I want to work with, and then come up with a song. Sometimes I like of a song and try to find a fandom to vid it to. However, with my latest creation, the song and source came at the same time in a burst of inspiration: The B-52's "Love Shack" paired with The Evil Dead and Evil Dead II. In hindsight, it's an obvious pairing. However, the actual editing process was less obvious. From start to finish, this video was a year and a half in the making. I hope you enjoy it.

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I grew up on two kinds of horror movies: Universal creature features and Roger Corman's Edgar Allan Poe films. I have very specific memories of watching Vincent Price going mad in Pit and the Pendulum and cheering on the magic duel in The Raven. These are formative experiences in my life as a film aficionado, so when Jose Cruz decided to devote a month of his Cold Reads column to celebrating Poe's short stories, I felt it was the right time to pay tribute to the cinematic triumvirate of Corman, Price, and Poe. 

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Horror may be my primary obsession, but it is by no means my only one. I've also taken to creating fanvids, which you can sort of think of as visual remixes of movies or television set to popular music (examples of my work can be found here, here, and here). Generally speaking, the friends I've made in the vidding community are separate from the ones I've made in the horror community, but sometimes there's a crossover which gives me great joy. The fanvid I'm presenting now involves one such crossover.

Eunice is a friend whose interests tend to run fairly parallel to my own, even though she's a much more talented vidder than I am. In her latest creation, set to the Plasmatics' "Legends Never Die," she explores the mythos of Freddy Krueger, from the Nightmare on Elm Street series. Of particular note is the way that she firmly reasserts Freddy as the spectral force of evil that he stopped being around the third or fourth film. You can see the vid after the jump.(read more...)

On June 16, 1960, a film premiered in New York City that would change the face of the horror film -- nay, film in general -- forever. Psycho's effect on filmmaking is incalculable, even if you only track the influences of its most famous sequence, the shower murder. Over the past half-century, various movies and television shows have parodied, pastiched, paid homage, remade and ripped-off Alfred Hitchcock's "clean kill." I've spent the last two months piecing some of these clips together into a meta-homage. May I present to you, the Psycho shower sequence, rebuilt almost entirely from other films.

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The following is our contribution to Frankensteinia's Boris Karloff Blogathon.

Starting with The Man They Could Not Hang, Columbia released four mad scientist films starring Boris Karloff in an eighteen-month period between 1939 and 1941. The other films in the series were The Man with Nine Lives, Before I Hang, and The Devil Commands. As a tribute, I created a short video to illustrate the general shared tone of the films and their similarities in structure, casting, theme, and direction.

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This weekend I'm at Vividcon, a Chicago-based convention devoted to the art of fanvidding. Just a few hours ago, my latest concoction, a tribute to the Hammer Frankenstein series, debuted and I think it was pretty well received. Set to Queen's "Don't Stop Me Now," the video is a slightly cheeky ode to mad science and the greatest of all mad scientists, Peter Cushing as Victor Frankenstein. I've embedded the vid below. I hope you enjoy. (read more...)

Under my vidder alias "Jetpack Monkey", I recently created a fanvid for Universal's classic monster movies, set to Rob Thomas's "Ever the Same." I chose the song because I wanted something modern and poppy to create a juxtaposition with the Gothic imagery (in point of fact, I really kind of hate the song). I've embedded it below.

If you have trouble viewing the video on Classic-Horror, it is also available as a 26MB Quicktime file (right-click the link and select "Save as..." from the menu).(read more...)