Haunted Newsreel

Texas Chainsaw Massacre Month. When it comes to endless savagery and violence in cinema, The Texas Chain Saw Massacre is a film that usually comes up during the conversation. People shiver as they recount how a madman wearing the faces of others chases down a group of stranded young folk, always eager to carve them to pieces like Thanksgiving dinner (not the worst metaphor either, as the killer and his family enjoy feasting on the remains of the fallen). Those who can recall their own grueling viewing experiences remember all these morbid tidbits in lurid detail. And those who have not seen it, in turn, are taken by the film's reputation and either become hesitant to watch it or convinced that the film is another mindless gorefest.

(read more...)

Texas Chainsaw Massacre Month. Tobe Hooper's The Texas Chain Saw Massacre is an intense, bare-knuckled assault on the senses. In it we see sadism, brutality, and violence as we had never seen it before. What is sometimes overlooked is that one can see in the film a grotesque mirror being held up to the social struggles of the era. The late 1960s and early 1970s were a stressful time for America. The Freedom Struggle, the tragic war in Vietnam, the epidemic of violence in the country, the bloody trend of political assassinations; all of these things had led by the mid '70s to a sense of fatigue and despondence in the country. In 1969, Richard Nixon used the term "silent majority" to encompass those Americans who had become uncomfortable with all of the drastic changes that the country had come through. He gave a name to those not claiming membership in the left-leaning Counterculture or who participated in demonstrations. The excesses of the past decade had built up a sense of victimization and resentment within the Silent Majority. The Texas Chain Saw Massacre can be seen as a reflection and parody of the clash between these two groups.

(read more...)

Texas Chainsaw Massacre Month. When we talk about sound in The Texas Chain Saw Massacre, what usually comes up is the bizarre cacophony that Tobe Hooper and Wayne Bell put together for the musical score. However, there's another aural element that plays an important part in TCSM. The use of country and bluegrass tunes that play on radios within the world of the movie add another layer of reality to the already gritty presentation. One of those songs, playing during the Hitch-hiker's introduction, is "Fool for a Blonde" by Roger Bartlett. Classic-Horror.com guest correspondent John Wisniewski had a chance to ask Bartlett about his career and the inspirations that lead to the song's creation.(read more...)

Texas Chainsaw Massacre Month. I don't know what makes men like Ed Gein superstars, when all they leave behind them is suffering, loss and madness. Maybe it's that their stories are so bizarrely gothic and so filled with lurid details that no movie could make up. Ironically movies about these creatures will later appear - the weird parts repackaged for general consumption. After this we can relax, take a breath and tell ourselves, "Well heck, it's only a movie." When this happens enough, when we've seen the film, read the books and got the pez dispenser, men like Gein become no more real to us than a Leatherface, a Freddy Krueger or King Kong. Soon they have a separate 'star image' and while they still give most of us the chills, for others they are 'anti-heroes' or symbols of rebellion. Perhaps this is the only way we can make life bearable, by fictionalizing them, making fun and denying anything really ever happened. But it did happen and Gein was real. So were his victims.(read more...)